Admittedly, Sectra (aka Jon Linskey) is an artist I’m quite familiar with, given that we’ve played in a band together and been friends for years. But even a familiarity with his work and influences didn’t prepare me for the sonic journey of his latest record.
Out now via revered label Tectonic, the imprint of UK-based producer Pinch, Through The Static is an album that defies easy categorization, which is often a hallmark of truly interesting music. It’s clear that Sectra draws from a diverse range of influences, from metal and industrial to harsh noise and more traditional dance music, blending elements of bass music with noise, drone, and experimental electronica, to name a few. This fusion creates a sound that is both familiar and refreshingly unique.
One of the most striking aspects of Through The Static is its emotional depth. It’s not just about the sonic intensity, but also the way catharsis and emotional release is channeled throughout the record.
It’s also important in this competitive era of music to create a cohesive record that flows, but also one where each song is distinct and can stand on its own. That is definitely accomplished here. Some of the tracks, like the intro and a few other moments on the album, are more of noise experiments and bridges between other songs, and the longer tracks all have distinct identities.
“Horrid & Dejected,” featuring Disfig, has unhinged, Chelsea Wolfe-esque vibes suited for both the dancefloor and deep listening. “Strength from Weakness” has some really cool club sounds reminiscent of early 2000s drum ‘n’ bass. “Entry Point,” featuring Trisicloplox, is heavy, noisy bass music verging into the world of industrial music, reminiscent of bands like Uniform… and that’s just a few of the standout tracks on the album.
Overall, Through the Static is an album that demands attention. It’s a complex and rewarding listen that will appeal to fans of experimental electronic music across the board. It pushes the boundaries of genre and exudes emotion in ways rarely seen in dance music’s current state.